Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Jjean-Marc nattier
Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France

ID: 74780

Jjean-Marc nattier Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France
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Jjean-Marc nattier Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Portrait de Christian Louis de Montmorency-Luxembourg, marechal de France | Portrait of Pierre Victor Besenval de Bronstatt commander of the Swiss Guards in France. | Louise Henriette de Bourbon-Conti, Countess-Duchess of Orleans, as Hebe | Princess Anne Henriette of France The Fire | Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France |
Related Artists:
Michael Zeno Diemer
painted The Ahırkapı Lighthouse in 1906 - 1907
William Bliss Baker
(1859 - 1886-11-20) was an American artist born in New York City who was just beginning to hit his stride as a landscape painter in the Realism movement when he died at his father's house at Hoosick Falls, New York at the age of 27 due to a back injury received while ice skating several months earlier Baker studied at the National Academy of Design for four years beginning in 1876,where he won first prize during his first exhibit in 1879. By 1881, Baker had set up a studio north of Albany, New York.
Maurice Utrillo
French Painter, 1883-1955,French painter, son of SUZANNE VALADON. He was entrusted to his grandmother while his mother posed as a model for such painters as Renoir and Puvis de Chavannes before discovering her own talent for drawing and painting. His father, the Spanish painter Miguel Utrillo (1862-1934), only admitted paternity eight years after Maurice's birth. Maurice Utrillo had no predisposition for art, but when he was 19 his mother took medical advice and urged him to adopt drawing and painting as a distraction from his need for alcohol. In search of a suitable subject, he went to the countryside around Montmagny, a village to the north of Paris, where, between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings, sombre, heavily impasted landscapes, such as the Roofs of Montmagny (Paris, Pompidou). By 1906 the doctor felt that Utrillo could return to Montmartre. His pictures of the streets and suburbs were painted with a less heavy impasto and with lighter tones.






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